Wundervölker, Monstrosität und Hässlichkeit im Mittelalter (German Edition)

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Sign in. Exceptionally comprehensive, easy-to-use guide surveys the evolution of historic ornament in architecture and the applied arts — from primitive ornaments of Oceania, Egypt, and Assyria to a Gothic doorway in Amiens, the tomb of Lorenzo de Medici, and a classic earlyth-century sofa by Thomas Hope. Over black-and-white illustrations. Brunelleschi's Dome. Ross King. Mary McCarthy's Italy. Mary McCarthy. Helena Attlee. Amanda Claridge. Sherrill Whiton. The Colosseum. Professor Keith Hopkins. The Appian Way. Robert A. The Perfect House.

Witold Rybczynski. Architecture: Gothic And Renaissance. Roger Smith. Peter Ackroyd. Alessandro Marzo Magno. The Medieval Sketchbook of Villard de Honnecourt. Villard de Honnecourt. Architecture - The Original Classic Edition. E Meugens. Discovering the Colosseum. Mauro Poma. A Concise Dictionary of Architectural Terms.

John Henry Parker. Hugh Arnold. Garden History. Tom Turner. Handbook of Ornament. Franz Sales Meyer. The Roman Garden. Katharine T.

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Rome and Environs. Filippo Coarelli. Architecture: Classic and Early Christian. Rubens: Plates. Maria Peitcheva. Holbein: Detailed Paintings. Narim Bender. Hamlin A. Peter Paul Rubens. Daniel Coenn. Reliving Pompeii. Marisa de Spagnolis. Art History Essentials. George Michael Cohen. Tran Tam Tinh. Mary P. Cagliari Tourist guide. Sturgis' Illustrated Dictionary of Architecture and Building. Russell Sturgis. Vasari on Technique. Giorgio Vasari. Illuminated Manuscripts in Classical and Mediaeval Times. Henry Middleton. Illustrated Dictionary of Historic Architecture.

Cyril M. Pictorial Encyclopedia of Historic Ornament. The Memory Palace. Edward Hollis. The Story of Western Furniture. Phyllis Bennett Oates. Roman Architecture. Frank Sear. Kenneth Clark. Visual essentialism and the object of visual culture. Journal of Visual Culture, 2, 5— Balfour, H. The evolution of decorative art. An essay upon its origin and development as illustrated by the art of modern races of mankind.

New York: MacMillan. Ballet, M. Balme, J. Shell beads and social behaviour in Pleistocene Australia. Antiquity, 80, — Symbolic behaviour and the peopling of the southern arc route to Australia. Quaternary International, , 59— Barber, E. Bead ornaments, employed by the ancient tribes of Utah and Arizona. Barton, C. Lithic variability and Middle Paleolithic behavior. Oxford: BAR. Art as information: explaining Paleolithic art in Europe. World Archaeology, 26, — Bar-Yosef, O. Current Anthropology, 50, — Bateson, G. Style, grace and information in primitive art. Forge Ed. Oxford: Oxford University Press.

Bednarik, R. The role of Pleistocene beads in documenting hominid cognition. Rock Art Research, 14, 27— Beechey, F. Beechey in the years , 26, 27, London: Henry Colburn and Richard Bentley. Belluci, G. Bollettino di Paletnologie Italiana, 3, — Benthall, J. The body as a medium of expression. New York: Dutton. Bisson, M. Nineteenth century tools for twenty-first century archaeology?

Journal of Archaeological Method and Theory, 7 1 , 1— Blacking, J. The anthropology of the body. New York: Academic. Boas, F. The use of masks and head-ornaments on the Northwest coast of America. The decorative art of the Indians of the North Pacific coast. Bulletin of the American Museum of Natural History, 9, — Facial paintings of the Indians of Northern British Columbia. Memoirs of the American Museum of Natural History, 2, 13— Boltanski, L. Les usages sociaux du corps. Bordes, F. L'Anthropologie, 54, 19— Past bodies: Body-centered research in archaeology.

Oxford: Oxbow books. Botha, R. Prehistoric shell beads as a window on language evolution.


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Language and Communication, 28, — Theoretical underpinnings of inferences about language evolution: The syntax used at Blombos Cave. Knight Eds. Boule, M. Les Hommes Fossiles. Paris: Masson. Bouzouggar, A. Proceedings of the National Academy of Science, , — Boyd, R. The evolution of ethnic markers. Cultural Anthropology, 2, 65— Bradley, R. Rock art and the prehistory of Atlantic Europe: Signing the land. London: Routledge. Image and audience: Rethinking prehistoric art. Paris: Payot. Cartailhac, E. Monaco: Imprimerie de Monaco. Champier, V.

Chase, P. Middle Paleolithic symbolism: a review of current evidence and interpretations. Journal of Anthropological Archaeology, 6, — Chauvet, G. Chauvet, S. Chippindale, C. The figured landscapes of rock-art: Looking at pictures in place.

History of Chinese art - New World Encyclopedia

The archaeology of rock art. Clark, J. Folk-culture and the study of European prehistory. Grimes Ed. Essays presented to O. Cramford pp. London: H. Clottes, J.

Conkey, M. Style and information in cultural evolution: Toward a predictive model for the Paleolithic. Redman, M. Berman, E. Curtin, W. Langhorne, N. Wanser Eds. New York: Academic Press. Context, structure and efficacy in Paleolithic art and design. Brandes Eds. New approaches to the analysis of meaning pp. To find ourselves: Art and social geography of prehistoric hunter gatherers. Schrire Ed. Orlando: Academic Press. Ritual communication, social elaboration, and the variable trajectories of Paleolithic material culture.

Brown Eds. New approaches in the search for meaning? Journal of Field Archaeology, 14, — Hager Ed. Cook, J. The three voyages of Captain James Cook round the world. London: Longman. Coolidge, F. Numerosity, abstraction, and the emergence of symbolic thinking. Current Anthropology, 53 2 , — Counihan, C. The anthropology of food and body: Gender, meaning and power. New York: Routledge.

Cuenca-Solana, D. Shell technology, rock art, and the role of marine resources during the Upper Paleolithic. Current Anthropology, 54, — The traditional artists in African societies. Bloomington: Indiana University Press. Mask makers and myth in Western Liberia. London: Oxford University Press.

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The use of resin cast for the study of use-wear. Olsen Ed. London: British Archaeological Reports. The invisible frontier. A multiple species model for the origin of behavioral modernity. Evolutionary Anthropology, 12, — A new look at the Berekhat Ram figurine: implications for the origins of symbolism in the Near East. Cambridge Archaeological Journal, 10, — Earliest personal ornaments and their significance for the origin of language debate.

Holes and grooves: the contribution of microscopy and taphonomy to the problem of art origins. Journal of Human Evolution, 33, 1— Neanderthal acculturation in western Europe? A critical review of the evidence and its interpretation. Current Anthropology, 39, 1— Archaeological evidence for the emergence of language, symbolism, and music: an alternative multidis- ciplinary perspective. Journal of World Prehistory, 17, 1— Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behaviour in the Middle Stone Age. Journal of Human Evolution, 48, 3— Journal of Archaeological Science, 35, — Additional evidence on the use of personal ornaments in the Middle Paleolithic of North Africa.

Davidson, I. The power of pictures. Conkey, O. Soffer, D. Jablonski Eds. The archaeological evidence of language origins: States of art. Kirby Eds. The painting and the tree. Symbolism in the Upper Paleolithic. A tribute to a great Basque scholar. Munibe, 57 3 , — Origins of pictures: An argument for transformation of signs. Schirra Eds.

Publisher Series: Dover Pictorial Archive

Anthropological discourses in image science pp. Cologne: Halem. The archaeology of perception: traces of depiction and language. Current Anthropology, 30, — Why the first colonization of the Australian region is the earliest evidence of modern human behavior. Archaeology of Oceania, 27, — Tools and language in human evolution. Ingold Eds. De Beaune, S. The invention of technology: prehistory and cognition. Current Anthropology, 45, — Denham, D. Narrative of travels and discoveries in Northern and Central Africa: In the years , , and Vol. London: John Murray. Dibble, H.

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The interpretation of Middle Paleolithic scraper morphology. American Antiquity, 52, — The implications of stone tool types for the presence of language during the Middle Paleolithic. Stringer Eds. Edinburgh: Edinburgh University Press, Edinburgh. Dobres, M. Technology and social agency: Outlining a practice framework for archaeology. Oxford: Blackwell. Meaning in the making: Agency and the social embodiment of technology and art. Schiffer Ed.

Albuquerque: University of New Mexico Press. Dolgin, J. Symbolic anthropology: A reader in the study of symbols and meanings. New York: Columbia University Press. Dolmetsch, H. Stuttgart: Hoffmann. Donald, M. Origins of the human mind: Three stages in the evolution of culture and cognition. Cambridge: Harvard University Press. Douglas, M. Purity and danger. An analysis of concepts of pollution and taboo. New York: Praeger. Natural symbols: Explorations in cosmology. New York: Vintage. Farbstein, R. The significance of social gestures and technologies of embellishment in Paleolithic portable art.

Journal of Archaeological Method and Theory, 18, — Current Anthropology, 52, — Faris, J. Nuba personal art. Toronto: Toronto University Press. Fernandez, J. The mission of metaphor in expressive culture. Current Anthropology, 15, — Figuier, L. Paris: Hachette. Fischer, P. Sur la conchyliologie des cavernes. Paris: F. Fischer, H. L'Anthropologie, VI, — Journal de Conchyliologie, XLV, — Fisher, G. Introduction: embodying identity in archaeology.

Cambridge Archaeological Journal, 13, — Fitch, W. The evolution of the language faculty: clarifications and implications. Cognition, 97 2 , — Gamble, C. Interactions and alliance in Paleolithic society. Man, 17 1 , 92— The Paleolithic settlement of Europe. The social context for European Paleolithic art. Proceedings of the Prehistoric Society, 57 1 , 3— Geertz, C. The interpretation of cultures: Selected essays. New York: Basic Books. Gell, A. Art and agency. An anthropological theory.

Giraux, L. Golsenne, T. Civilisations, 59 2 , 41— Gombrich, E. The story of art. London: Phaidon. Graziosi, P. Paleolithic art. London: Faber and Faber. Grosse, E. The beginnings of art. New York: Appleton. Grunevald, R. The use of echinoids and crustaceans as food during the Pleistocene-Holocene transition in Northern Spain: methodological contribution and dietary assessment.

Journal of Island and Coastal Archaeology, 6, — Shell middens research in Atlantic Europe: state of the art, research problems and perspectives for the future. Quaternary International, , 70— Haddon, A. Evolution in art. As illustrated by the life-histories of designs. London: Walter Scott. Hamilakis, Y. Thinking through the body: Archaeologies of corporeality. New York: Kluwer. Hanson, F. When the map is the territory: Art in Maori culture. Hardin, M.

The structure of Tarascan pottery painting. Hardy, M. Paris: Leroux. Current Anthropology, 52 3 , — Henshilwood, C. Middle Stone Age shell beads from South Africa. Science, , Hertz, R. Sociologie religieuse et folklore. Paris: PUF. Higham, T. Hill, K. The emergence of human uniqueness: characters underlying behavioral modernity. Evolutionary Anthropology, 18, — Hodder, I.

Symbols in action; ethnoarchaeological studies of material culture. Spatial analysis in archaeology. Hooper, W. Hours, F. Howell, F. The Quarterly Review of Biology, 32 4 , — Howells, W. Back of history: The story of our own origins. New York: Garden City. Hublin, J. PNAS, 46 , — Ingersoll, E. Wampum and its history. Jochim, M. Paleolithic cave art in ecological perspective. Bailey Ed. Late Pleistocene refugia in Europe.

Soffer Ed. New York: Plenum. Jones, O. The grammar of ornament. London: B. Quaritch [First published in ]. Joyce, R. Archaeology of the body. Annual Review of Anthropology, 34, — Kaeppler, A. Artificial curiosities being an exposition of native manufactured collected on the three Pacific voyages of Captain James Cook, R.

Honolulu: Bishop Museum Press. Keith, A. The antiquity of man. Philadelphia: J. Lippincott [First Published ]. Klein, R. The human career: human biological and cultural origins. Chicago: The University of Chicago Press. Korn, S. The formal analysis of visual systems as exemplified by a study of Abelam Papua New Guinea paintings. Megaw Eds. Studies in style, culture and aesthetics pp. London: Duckworth. Kristeller, P. The modern system of the arts: a study in the history of aesthetics.

Part I. Journal of the History of Ideas, 12 4 , — Kuhn, S. Mousterian lithic technology. Princeton: Princeton University Press. Body ornamentation as information technology: Towards an under- standing of the significance of early beads. Mellars, K. Boyle, O. Ornaments in the earliest upper paleolithic: new results from the levant. Proceedings of the National Academy of Sciences, 98, — Laplace, G. Recherches de typologie analytique. Origini, 2, 7— Lartet, H. Lartet, E. Layton, R. Art and visual communication. Leavesley, M. A shark tooth ornament from Pleistocene Sahul.

Antiquity, 81 , — Leland, G. The minor arts. Porcelain painting, wood-carving, stencilling, modelling, mosaic work, etc. London: McMillan. Technological choices: Transformation in material cultures since the Neolithic. Leroi-Gourhan, A. Le geste et la parole Vol. Paris: Albin Michel. Paris: Mazenod [First published in ]. Anthropologie structurale. Paris: Plon. Loos, A. Ornament and crime. Conrads Ed. Cambridge: MIT Press. Lubbock, J. The origin of civilization and the primitive condition of man. London: Longmans. Luquet, G. MacGregor, L.

Narrative of an expedition into the interior of Africa by the River Niger in the steam- vessels Quorra and Alburkah in , and Vol. London: Richard Bentley. Marshack, A. Bordeaux: Delmas. New York: McGraw-Hill. Some implications of the Paleolithic symbolic evidence for the origin of language. Current Anthropology, 17, — Upper Paleolithic symbol systems of the Russian plain: cognitive and comparative analysis.

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What is the Use of Ornament in Contemporary Art and Architecture?

Reading the skin. Adornment, display and society among the Wahgi. London: British Museum. Orme, B. Twentieth-century prehistorians and the idea of ethnographic parallels. Man, 9 2 , — Otte, M. Camps-Faber Ed. Overmann, K. Material scaffolds in numbers and time. Cambridge Archaeological Journal, 23 1 , 19— Panofsky, E.


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  • Perspective as symbolic form. New York: Zone Books [First published in ]. Paulme, D. Adornment and nudity in Tropical Africa. Pelegrin, J. A framework for analyzing prehistoric stone tool manufacture and a tentative application to some early lithic industries. Chavaillon Eds. Oxford: Clarendon Press. In search of lithic strategies: A cognitive approach to prehistoric chipped stone assemblages. Peebles Eds. Peyrony, C. Ussel: Eyboulet. Pfeiffer, J. The creative explosion: An inquiry into the origins of art and religion.

    New York: Harper and Row.