To fulfill the conditions, he risks discovery, and his life. Successful businessman, Jaye Zeroun prides himself on his realistic, but lonely, view of life. Until Allyn knots her way around his heart and fills his life with a fantasy he refuses to believe. Then danger threatens their love, forcing him to either accept a deadly battle or lose the very things he never included in his life, a family and a love beyond his wildest imagining. Fires of a Keltic Moon Searching… Lara Zeroun needs something in her life, so she opens a portal in time and travels to the ancient Highlands.
But, how can she become involved with a dark, mysterious man who belongs to another time? Waiting… Due to the matriarchal line of inheritance, Iain is no longer able to lay claim to his father's lands. He's prepared to leave--until a golden-haired woman visits the manor on the arm of a wandering storyteller. But, with no land or possessions, Iain dares not succumb to the temptation of Lara. Finding… Danger lurks in Iain's time and becomes a threat to Lara's present. Will Lara and Iain be able to defeat the evil and make their ways through time--finding the love they both desire?
In order to woo her, Korin bargains with his evil king, who sets seemingly impossible tasks. The first? She must believe in him. But the folk of Faerie, the Gentry, don't believe in the odd assortment of beings who make up the wee folk. And definitely not in fairies.
Nanceen doesn't know what she believes. Until Korin calls to her, then makes his way into her world, becoming a wingless man she can see, touch, believe in. But will the rat king's conditions drive a wedge between them, or force Korin to confrontation, to battle, into risking his life for love? Product Details About the Author. An ancient road grader became a boat carrying wild adventurers to islands filled with sheep that turned into lions and cannibals. Now, the stories of her imagination are beginning to find their way to paper and pixels.
Filled with fantasy and love, these tales take her far from the mundane world. Show More. Average Review. Write a Review. Related Searches. Keep your goals and accomplishments visible. Break large goals into smaller, manageable goals to keep moving Break large goals into smaller, manageable goals to keep moving forward. Be accountable and stay on track! Record what you've read, classes you've attended, any and all writing related happenings. Most of all have fun! All with the six View Product.
It ain't easy being fey and the subject of prophecy. Three worlds face danger. Ancient prophecy Ancient prophecy may defeat the separate evils, but will love survive? Lucidea had no idea her father wasn't human. Her uncle is held prisoner in the World Between Claims made by some Celtic scholars, that traces of a Celtic culture are already visible in the second millennium BC, are controversial.
In Post-Roman Britain , Celtic culture and rule continued, until pushed to the margins of the island afer the arrival of the Anglo-Saxons. In Ireland , Celtic culture remained dominant for even longer. Linguistically, the Celts were united as speakers of Celtic languages , which were and are Indo-European languages related most closely to German and Latin, with clear common features.
References to Celtic women are not only rare but are also excluding [ clarification needed ] medieval source material from the inhabitants of Brittany , Wales, Ireland and Scotland, derived from the writings of the Celts' Greek and Roman neighbours. In addition, the overwhelming majority of these sources come from the first century BC and the first century AD.
The main problem, however, is the fact that the term "Celtic" spans such an enormous area, from Ireland to Anatolia ; there is no reason to expect that the position of women was the same over this whole area.
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Source material must, therefore, be clarified by archaeological evidence, which, however, can only answer certain kinds of questions. The grave goods of female inhumations indicate cultural exchange with southern Europe, especially the North Italian Este and Villanovan cultures. Female burials are associated with specific grave goods, such as combs, mirrors, toiletries nail cutters, tweezers, ear spoons  , spinning whorls flywheel of a pindle , a tool for making yarn,  pottery vessels, necklaces, earrings, hairpins, cloak pins, finger rings, bracelets and other jewellery.
A large majority of graves have no gender-specific grave goods, but where such goods are found, they almost always belong to female graves. The Vix Grave from modern France is the most famous rich female burial, but there are several other significant ones. In the Vix Grave a huge bronze krater or mixing bowl was found which indicates the high status of the woman buried there. It derives from a Greek workshop and is 1. They were made of jet , clay, glass and bronze; their purpose, whether amulet, votive gift or toy, cannot be determined.
Archaeological finds in the 19th century were often interpreted in light of contemporary ideas about gender without consideration of differences between modern and ancient cultures. Gender roles were assumed to be unalterable and, accordingly, grave goods were identified as "male" or "female" without ambiguity.
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Only when it became possible to determine the sex of human remains through osteological analysis was this approach revealed as overly simplistic. Written evidence is first transmitted by the Greeks: the historian and geographer Hecataeus of Miletus Periegesis , the seafarer and explorer Pytheas of Massilia On the Ocean both of these works survive only in fragments , the geographer and ethnologist Herodotus Histories and the polymath Poseidonius On the Ocean and its Problems.
Nothing of Poseidonius' work survives directly; it is only transmitted as citations in other authors, such as Julius Caesar 's Commentarii de Bello Gallico. Other Greek writers include Didodorus Siculus Bibliotheke , who used older sources, Plutarch Moralia , who took a position on the role of women, and Strabo Geography , who expanded on the work of Polybius Histories through personal travels and research.
Among the works of Roman historians are the universal history of Pompeius Trogus Philippic History which only survives in the epitome [ clarification needed ] of Marcus Iunianus Iustinus.
As a Gaul himself he belonged to the Vocontii tribe , Trogus would have transmitted much of his information at first hand. Julius Caesar had portrayed an image of the Celts in his Bellum Gallicum , tailored above all to his own domestic political purposes. Among later historians there is also Gerald of Wales who was born to a Cambro-Norman family in the 12th century, and composed an important account of the history and geography of the British Isles.
The social position of women differed by region and time period.
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Thus modern authors refer to them as both "Ladies" and "Princesses". Caesar  stresses the "power of life and death" held by husbands over their wife and children. Strabo  mentions a Celtic tribe, in which the "Men and women dance together, holding each other's hands", which was unusual among Mediterranean peoples.
He states that the position of the sexes relative to each other is "opposite Recent research has cast doubt on the significance of these ancient authors' statements. Thus, according to Tacitus, the Brigantes "goaded on by the shame of being yoked under a woman"  revolted against Cartimandua; her marital disagreement with her husband Venutius and the support she received from the Romans likely played an important role in her maintenance of power.
On the other hand, he says of Boudicca, before her decisive defeat, "[The Britons] make no distinction of gender in their leaders. She is meant to have taken leadership when no men could be found due to a famine and to have led her tribe from the old homeland over the Danube and into southeastern Europe. On the lead Curse tablet from Larzac c. Slave women were mostly war booty, female property given up by insolvent debtors,  or foreign captives and could be employed within the household or sold for profit. According to Caesar, favorite slaves were thrown on their masters' funeral pyres and burnt along with their corpses.
That caring for children was the role of the women is stated by ancient authors. In addition, in families of higher social standing, there was an institution of foster parentage Old Irish: aite [foster father] and muimme [foster mother], similar to the Gothic atta [dear father], German Mama and English mummy , in which children of household were given away. The cost which the birth parents had to pay to the foster parents was higher for girls than for boys, because their care was considered more expensive.
But there was also a form of foster parentage in which no fee was charged, designed to tighten the links between two families. The mythic rulers of British Celtic legends and the historical queens Boudicca, Cartimandua and perhaps Onomarix can be seen only as individual examples in unusual situations, not as evidence of a matriarchy among the Celts. The transmitted texts of pre-Christian sagas and ancient authors speak strongly against its existence.
The idea of a Celtic matriarchy first developed in the 18th and 19th centuries in connection with the romantic idea of the " Noble Savage ". According to 19th century Unilineal evolutionism , societies developed from a general promiscuity sexual interactions with changing partners or with multiple simultaneous partners to matriarchy and then to patriarchy. The contents of these sagas were falsely presented related to the reality of the relationship between the sexes. About the social structure of the Pre-Indo-European inhabitants of Britain and Ireland we know no more than about the situation of the pre-Celtic inhabitants of what would later be Gaul.
Marion Zimmer Bradley depicted a matriarchal reinterpretation of the stories of King Arthur , Lancelot and the Holy Grail in The Mists of Avalon , which were dominated by the female characters. She employed the contrast between the Celtic matriarchal culture and the Christian patriarchy as a theme of her work. She thus continues the evolutionary theories of the 19th century. She calls matriarchy the "Pre-Celtic heritage of Ireland", and she claims that the transition to patriarchy took place in the 1st century AD in the time of King Conchobar mac Nessa of Ulster.
Matrilineality the transmission of property through the female line is not attested for the Celts either. In a matrilineal society, children are related only to the family of the mother not to the family of the father. A situation like that among the Picts , where, according to some accounts, kingship was inherited through the maternal line, but not inherited by the women themselves,  The Irish clan fine , compare with the Old High German word wini , "friend"  was patrilineal and the relatives of the mother had only a few rights and duties relating to the children.
Describing the Celtic expansion into southern and southeastern Europe around BC, Livy claims that the two war leaders Bellovesus and Segovesus elected by the army were the sons of the sister of Ambicatus , king of the Bituriges. Among the Iberian , Gallaeci , women had an important role in the family and the clan, despite the importance of men as warriors, indicated by frequent matrilineal succession among them.
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Nearly all of the following legal matters seem to have been similar, with some regional variation, both on the mainland and in the British Isles. General legal equality — not just equality between men and women — was unusual among the Celts; it was only a possibility within social classes, which were themselves gender-defined. Celtic women were originally not allowed to serve as legal witnesses and could not conclude contracts with [ clarification needed ] the assistance of a man. In British Celtic law, women had in many respects for instance marriage law a better position than Greek and Roman women.
She could not normally give away or pass on her property without their agreement. Her marriage was arranged by her male relatives, divorce and polygyny the marriage of one man to several women were controlled by specific rules. Polyandry the marriage of one woman to several men was unusual, although some Celtologists conclude that it sometimes occurred from the Irish saga Longas mac nUislenn The Exile of the Sons of Uislius. Caesar provides an example of the subordinate position of women: according to him, men had the power of life and death over their wives, as they did over their children, in a similar manner to the Roman pater familias.
If the head of a high ranking family died, his relatives would gather and interrogate the wives as well as the slaves, when the death seemed suspicious. Should they consider their suspicions to be correct, they would burn the wives, after torturing them in every possible way. However, he also describes the financial role of the wives as remarkably self-sufficient.
Caesar also says that among the Britons, up to a dozen men father, sons and brothers could jointly possess their women. Today this is seen as a common cliche of ancient barbarian ethnography and political propaganda intended by Caesar to provide a moral justification for his campaigns. In general, monogamy was common. Having several legal wives was limited to the higher social classes. A "temporary marriage" was also common. There were three kinds of marriage: that in which the woman brought more than the man, that in which both brought about equal amounts and finally that in which the woman brought less.
If the husband wished to carry out a clearly unwise transaction, the wife possessed a sort of veto power. In a divorce, the wife usually had full control over her dowry. The concubine Irish: adaltrach , cf. Latin adultera adultress had much less power and was subordinate to the main wife.
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After these three days, the ordinary punishments would apply to both in the event of injury or murder. Adultery by the wife, unlike adultery by the husband, could not be atoned for with a fine. A divorce in the case of adultery could only occur with the agreement of both parties and the wife was not permitted to seek one so long as her husband maintained intimate relations with her.
If she was pregnant with her husband's child, she could not have intercourse with other men before the birth of the child, even if thrown out by him. These rules were binding for Celtic noblewomen, but they may have been less strictly binding on the lower classes. A rape had to be atoned for by the culprit by handing over the sort of gifts customarily given at a wedding and paying a fine, since it was considered a form of "temporary" marital tie.
The inheritance law of the British Celts disadvantaged women, especially daughters, in similar ways to marriage law. Only if the inheritance came from the mother or if the daughters originated from the last marriage of a man and the sons from an earlier marriage, were the two genders treated the same. A daughter inherits no land from her father, except if she has no brothers, if she is an inheriting-daughter ban-chomarba , and even then she inherits only for her lifetime. After that, the inheritance returned to her paternal relatives Fine.
They could dispose of this property freely, unlike in Old Irish law, in which the widow was under the control of her sons. Only a right to make gifts and a restricted power of sale were granted to her, which was called the bantrebthach "Female householder". The right to make gifts was restricted to transfers within the family. Welsh women only received the right to inherit under king Henry II of England He describes the condition of women up till that point, with self-aware exaggeration, as cumalacht enslavement , in order to highlight the importance of his own work.
Adomnan reports that a woman who:. In battle, she carried her rations on one shoulder and her young child on the other. On her back she bore a 30 foot long pole with an iron hook, with which she would grab opponent amongst her enemies by their braids. Behind her came her husband, who drove her into battle with a fence post. As trophies one took the head or the breasts of the women. According to legend, an experience of Adomnan and his mother had been the impretus for this legal text.
The view of a slain Celtic woman and her child - "mother's blood and milk streaming over" - on the battlefield, shocked his mother so much that she forced her son, by fasting, to compose this law book and to present it to the princes. The ancient authors regularly describe Celtic women as large, crafty, brave and beautiful.